Tuesday, Oct. 9, 2001
MARYLAND FILM FESTIVAL 2001: MORE DOC FILMMAKERS  (5/14/2001)
by Kent Bye

The combination of "Baltimore" and "Film" usually stirs up thoughts of either John Waters, Barry Levinson, or the cancelled television series "Homocide: Life on the Street." The Maryland Film Festival is looking to add itself to this list by continuing to grow in scale and popularity in its third year. Fundraising is a strong point for this young fest which enables it to provide all-expense paid trips to Baltimore for all of the feature filmmakers, extensive advertising and coverage in the local press, and healthy audiences of enthusiastic cinephiles. Film Threat's Kent Bye was on the scene at The Maryland Film Festival to catch all of the highlights including a screening of one of Waters' favorite films, "The Godfather of Gore" Herschell Gordon Lewis, and a ton of filmmakers who have been creating some buzz on the festival circuit. Now we’re going to make it easy for you, just click on a link below to take you to the next set of pictures in our Maryland Film Festival Photo Diary 2001!

MARYLAND FILM FESTIVAL 2001 PHOTO DIARY

MARYLAND FILM FESTIVAL 2001: GORE MOVIES GALORE

MARYLAND FILM FESTIVAL 2001: DOC FILMMAKERS

MARYLAND FILM FESTIVAL 2001: MORE DOC FILMMAKERS

MARYLAND FILM FESTIVAL 2001: FEATURE FILMMAKERS

MARYLAND FILM FESTIVAL 2001: MORE FEATURE AND SHORT FILMMAKERS

Joshua Tunick originally was going to do a documentary on a living room tour by Pat DiNizio, the lead singer of The Smithereens, but then he found out that he was planning on running for Senate. "Mr. Smithereen Goes to Washington" documents DiNizio's unsuccessful run as a Reform Party candidate in New Jersey. It world premiered at the festival.
 
Pat DiNizio was on hand to play some tunes and support the doc "Mr. Smithereen Goes to Washington." DiNizio spent around $50,000 in his campaign effort while his democratic opponent Jon Corzine spent more than $60 million to win the election.
 
Lee Boot's "Making Euphoria" blends philosophy, neurology, performance art, and deadpan humor to describe what our brain needs to make us happy. Boot received a Small Business Innovation Research grant from the National Institute of Health to help fund his pilot that he is currently shopping around to different television networks.
 
Editor Paul Seydor and new Baltimore Sun critic Michael Sragow were on hand to present "Cobb." Sragow selected Ron Shelton's 1994 biopic on baseball legend Ty Cobb because audiences largely ignored it when it was first released. Seydor edited the film and showed outtakes and explained why he cut them. He also screened his '97 Oscar-nominated short doc "The Wild Bunch: An Album in Montage" where he used found footage to give insight into the production of Sam Peckinpah's classic western.
 
Cinematographer Brian Nisbett and director Ryan Butler produced "A Union in Wait," which is the first documentary concerning the debate over same-sex marriage.
 
Kim Snyder explores her mysterious medical condition of Chronic Fatigue Syndrome in "I Remember Me." Not only does this affliction have no cure, but it also has no clear definition of what exactly it is.
 
Slamdance co-founder Dan Mirvish presented a couple of shorts programs from Slamdance, and Alex Nohe screened his debut feature-length doc entitled "Burning Man: The Burning Sensations" about Nevada's annual Burning Man Festival.
 
Veteran music documentarian Robert Mugge screened two films at this year's festival. His 1980 doc "Sun Ra: A Joyful Noise" chronicles a composer and philosophical guru who claimed to be from Saturn, and "Rhythm 'n' Bayous" investigates the different musical styles and sounds of the north, southeast, and southwest regions of Louisiana.

Read the next installment in Film Threat's photo diary MARYLAND FILM FESTIVAL 2001: FEATURE FILMMAKERS>>>